Using egg tempera, artist Amy Peters Wood most recent works knit together intersecting perspectives, near and far, above and below, before and after, imagined and real. These juxtapositions ultimately consolidate to form a single image, one perceived from an indeterminate vantage point. Trained in both Veterinary medicine and art, Wood chooses a dialogue between her connection to nature and a shifting perspective, creating planes which recede, tilt and plunge- reinforcing a vast or close dichotomy, and ultimate uncertainty to the spatial dimensions within the painting.